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Ángel Chaparro Sainz & Amaia Ibarraran-Bigalondo
The Sun Sets in the West: An Introduction
Revista Canaria de Estudios Ingleses,
2024;
88 - 9-12
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Amaia Ibarraran-Bigalondo
Blackthorn (Mateo Gil, 2011): An Inter-national, Revisionist, Spanish Western
Studies in European Cinema,
2022
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Amaia Ibarraran-Bigalondo
Paredes y/en movimiento: murales y activismo. el caso chicano
Conceφtos. Activismos culturales en las Américas latinas del siglo XXI, Vol 04,
2021
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Amaia Ibarraran-Bigalondo
And What About Children? The Representation of Infant Migration in Chicano/a Cinema: Some Examples
Iperstoria: Journal of American and English Studies. Issue 17,
2021;
97 - 114
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Amaia Ibarraran
"Violent American, Violent Me: On Violence and (Masculine) Self in Edward James Olmos' American Me (1992)."
Masculinities: A Journal of Identity and Culture, 5,
2016;
5 - 25
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Amaia Ibarraran
"When the Border Educates: Malín Alegría's Sofi Mendoza's Guide to Getting Lost in Mexico (2007)."
International Journal of English Studies, 16, 1,
2016;
19 - 32
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Amaia Ibarraran
"Music, Sampling and Musical Intertextuality in Quentin Tarantino's Django Unchained."
Iperstoria, nº 5,
2015
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Amaia Ibarraran
"On Identity, Place, Dignity, and Honor: The Madonnas of Echo Park (2010) by Brando Skyhorse."
Revista Alicantina de Estudios Ingleses, 27,
2015;
36 - 67
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Amaia Ibarraran
"Las familias de Gregory Nava: ¿revisión o perpetuación de los estereotipos?"
BABEL.Aspectos da Filología Inglesa e Alemana, 23,
2014;
71 - 78
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Amaia Ibarraran
"Remember the Crossers: U.S.-Mexican Immigration and the Contemporary Corrido Tradition."
English Studies: Revista de Estudios Ingleses, 35,
2014;
113 - 137
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Amaia Ibarraran
"Ito Romo's El Puente/The Bridge (2000): A "Minor" Story of Major Environmental Protest."
Atlantis: Revista de la Asociación Española de Estudios Anglo-Norteamericanos, 36.2,
2014;
133 - 145
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Amaia Ibarraran
"Living/Leaving la Vida Loca: On Barrios, Chicano Gangs and Literature."
Odisea: Revista de Estudios Ingleses, 34,
2014;
35 - 67
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Amaia Ibarraran
"Chicano Gangs/Chicana Girls: Surviving the Wild Barrio."
Miscelánea: A Journal of American and English Studies, 48,
2013;
45 - 60
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Amaia Ibarraran
"On Having/Being a Mother: Yxta Maya Murray's Portrayal of Motherhood and Barrio girls."
Clepsydra: Revista de Estudios de género y teoría feminista, 12,
2013;
61 - 80
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Amaia Ibarraran
The Other “Others:” the Construction of the West in José Mallorquí’s El Coyote
Western American Literature,
2019;
54.3
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Amaia Ibarraran
The Thin Frontera between Visibility and Invisibility: Felicia Luna Lemus’ Like Son
Revista de la Asociacion Española de Estudios Anglo-norteamericanos (ATLANTIS),
2018;
40.1,
175 - 191
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Amaia Ibarraran
African-American and Mexican-American Protest Songs in the 20th century: Some Examples
Journal of Popular Music Studies,
2017;
29: Issue 2
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Amaia Ibarraran
Cuerpos que hablan de rabia: el tatuaje como marca de pertenencia y denuncia social en las bandas chicanas contemporáneas
El cuerpo en mente. Versiones del ser desde el pensamiento contemporáneo. Eds. Calafell Mireia y Aina Pérez. Barcelona: Editorial UOC,
2011;
367 - 378
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Amaia Ibarraran
The Chicana Youth Experience in Literature: Some Examples
ES: Revista de Estudios Ingleses,
2011;
32,
147 - 160
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Amaia Ibarraran
Depictions of Fatherhood in Contemporary Mexican/Chicano Corridos
Op. Cit. : Uma Revista de Estudos Anglo-Americanos,
2010;
12,
35 - 57
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Amaia Ibarraran
Yxta Maya Murray's Locas (1997): And What about Chicana Barrio Adolescents?
BABEL. Aspectos da Filología Inglesa e Alemana,
2009;
18,
35 - 49
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Amaia Ibarraran
How to Be a Chicana Role Model, or How to Be a 21st Century Chicana
ES: Revista de Filología Inglesa,
2007;
28,
97 - 106
