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ID
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BIDEOA
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HIZLARIA
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BILDUMA
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HIZKUNTZA
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DATA
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| On the Road to Sausalito: Searching for Dave Eggers’s and Forster Wallace’s Tracks | Kirmen Uribe (idazlea/writer) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-08 |
| Questioning Regenerative Violence in Recent Westerns | Stefano Rosso (U. Bergamo) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-08 |
| Aspectos de género en Pat Garrett y Billy the Kid: Censura intralingüística e interlingüística | Carmen Camus (U. Cantabria) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-08 |
| Análisis del catálogo de películas “western” emitidas por ETB2 entre 2007 y 2010 | Cande Cabanillas (UPV/EHU) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-08 |
| The Global American Literary West | José Aranda (Rice U.), Neil Campbell (U. Derby, UK), Alan Weltzien (U. of Montana Western) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-08 |
| Louise Erdrich and Leslie Marmon Silko: Living Along the Boundaries of Survival | Jennifer L. Vala (Georgia State U.) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-08 |
| …and the Grievances Go On: When Laws Do Not Do the Job on Native Territories (or Reservations) | Aitor Ibarrola (U. Deusto) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-08 |
| The Everyday Use of Native American Female Creativity in the Play The Star Quilter by William S. Yellow Robe Jr | Juan Ignacio Guijarro (U. Sevilla) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-08 |
| Panel 3. Question time | Juan Ignacio Guijarro (U. Sevilla) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-08 |
| Hidden Behind the Poolhouse Doors: The Manifestation of the Southern California Literary Anti-myth in Television’s The OC | Leah Karels (Ruprecht-Karls U., Heidelberg) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-08 |
| Damn it, Jack! They still Need You!: Jack Bauer as the Hero of a Never Ending Western | Luis F. Díaz (UPV/EHU) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-08 |
| Hippy Ideals Revisited in the 21st Century: A San Francisco Eutopia | Carmen Flys (U. Alcalá) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-08 |
| The Reticulated West: The Case of the Modoc Conict in the Lava Beds | Wendy Harding (U.Toulouse II-Le Mirail) & Jack Martin (U. Montpellier III) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-08 |
| Emilio Salgari’s Literary West: Cooperian Echoes and Pan-European Sensibility Meet Colonial Mythology | Alessandra Magrin (U. Strathclyde, Glasgow) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-08 |
| Wyoming vs. Texas Panhandle in Annie Proulx’s Fiction: Despair and the Cowboy Grotesque vs. Hopefulness and the New Western Hero | Maja Daniel (UPV/EHU) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-08 |
| A writer's life in the American West | Willy Vlautin | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-08 |
| Music of the American West: Special Session | Willy Vlautin and Toni Montserrat | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-08 |
| Reimagining Women in the West: Female Archetypes from John Ford’s Wagon Master to Kelly Reitchard’s Meek’s Cutoff | Matthew Carter (U. Essex) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-09 |
| Cross-generic Images of the Road Movie’s Legacy from the Western | Carmen Indurain (U. Pública de Navarra) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-09 |
| The Disempowerment of Native American Women in the Cinema | Elena Serrano (U. Internacional de la Rioja) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-09 |
| Crossing the Border, Crumbling the Mindset: Ernest Callenbach’s Ecotopia and Ecocriticism | Pi-Hua Ni (National Chiayi U., Taiwan) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-09 |
| Western Mountain Literature: King vs. Muir | Haritz Monreal (UPV/EHU) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-09 |
| Violence Structured / Structural Violence: A Native-American View | Mª Felisa López (UPV/EHU) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-09 |
| Sergio Leone at Tahrir Square: Reframing the Western Before and After the Arab Spring | Susan Kollin (Montana State U.) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-09 |
| Sweet Compromised Land: The Politics of Exclusion in the Old West | Hank Nuwer (Franklin College, Franklin, IN) | III Congreso Internacional: The American Literary West/El Oeste Literario Americano | EspañolEuskera | 2014-10-09 |
