SPECIFIC COMPETENCES OF R.D.1393/2007



1101- Ability to apply graphic procedures to the representation of spaces and objects.

1102- Ability to conceive and represent the visual attributes of objects and master proportion and drawing techniques, including computer science.

1201- Knowledge and application to architecture and urban planning of spatial representation systems.

1202- Knowledge and application to architecture and urban planning of the analysis and theory of form and the laws of visual perception.

1204- Knowledge and application to architecture and urban planning of graphic survey techniques in all their phases, from drawing notes to scientific restitution.





LEARNING OUTCOMES



- The student is trained in the use of Architectural Graphic Language. He knows how to read and how to write the representation of the architectural fact in two-dimensional media.

-He understands architectural graphic language as a process of observation and analysis of what we see and develops the capacity for synthesis, excluding the accessory and meaning what enriches its description.

- Understands the Scientific Model as the essence of the Ideation and Drafting process of the Architectural Fact.

-He is familiar and trained in the usual projection systems: dihedral, axonometric and conical.

- Understand and use the concept of Scale as the essence of the Scientific Model in Architecture.

-He has developed his visual capacity in the Dimension, Proportion and Gravitational Parameters (vertical and horizontal) of the architectural fact.

-He is trained in the Perception, Understanding and Description of the architectural fact.

- Understand and use the basic fundamentals of Color and Shadows as added value in the Reflection of the architectural fact.

-He has developed the ability to perceive matter through color, from theory and analysis, as an understanding of the expression that matter acquires.

-He has developed tactile perception as the interaction between manual and visual understanding for its analysis and capture on a flat support, key in the generation of abstraction processes.

Theoretical-practical activities will take place both indoors and outdoors. When the activity takes place outside the usual classrooms, if the students consider it appropriate, they may use a folding chair whose provision will be at their expense.



The theoretical-practical content of the subject includes the following sections:



-Complexity of shapes (human figure and statue): Quick notes on the human figure, fitting, proportion and definition of complex shapes.

-Lighting and shadows of complex shapes: intonation.

-Use of lighting and shadows in the dihedral system to represent the depth of objects and architectural space.

-Notes and sketches from life and imagination notes prior to drawing real models.

-Introduction to the theoretical concepts and graphic techniques of color applied to architectural graphic representation: basic foundations of color and application of color using the watercolor technique.

-Depth in architectural technical drawing applied to the representation of detail.

-Deepening in the elaboration of the architectural model.

-Analysis and representation of textures.

-Introduction to ideation drawing.

-Introduction to analytical drawing.

During face-to-face hours, the student will take an active part in theoretical-practical teaching:



In the theoretical sessions, the student will make his or her own contributions in the form of questions or appropriate comments that may be useful to the class as a whole.



In the practical classes she will attend to the instructions given about her work and that of the rest of the students.



In non-contact hours she will prepare the individual or team practices indicated for partial and final deliveries.



The exercises to be carried out by students both in-person and offline will consist of:



Statue and geometric still life: analysis of form, light and shadow.



Analysis of unique buildings: spatial and compositional understanding through notes and views; graphic representation at different scales in plans, elevations and sections.



The type of exercise and number will depend on the model chosen and the progress of the course, being the decision of each teacher.



The type of exercises carried out in all Architectural Drawing subjects require that the weekly face-to-face teaching hours be grouped so that the theoretical-practical exercises have the necessary continuity for their proper development. Likewise, given that part of the exercises take place outside, your schedule will be in the time slot that allows you to work in daylight.

Taking into account the criteria of the Regulatory Regulations for the Evaluation of Students in Official Degrees of the UPV/EHU, the preferred evaluation system for the ordinary call will be continuous evaluation.



CONTINUOUS EVALUATION.

The evaluation system will take into account the work carried out during the course, complementing said evaluation with the completion of an exam. It will be the default option that will be applied to all students, except those who give up continuous evaluation within the first 9 weeks of the course. The grade for the continuous evaluation will be the weighted average of the grade for the course work (70%) and the exam (30%). In order to pass the continuous evaluation it is necessary to pass each of the two parts separately. Students who do not pass the continuous evaluation will have a failing grade, regardless of whether they have attended class, taken the exam or presented the work stated throughout the school period. (As established by the Regulatory Regulations for the Evaluation of Students in the Official Degree Degrees of the UPV/EHU, the weight of the final test or exam being less than 40% of the grade for the subject, the students will only obtain the qualification of not presented in case of renouncing the call).

The tutorials will not replace the master classes taught throughout the course.



FINAL EVALUATION

It will be applied exclusively to students who renounce continuous evaluation within the first 9 weeks of the course, as established in article 8 CHAPTER II Regulatory Regulations for Student Evaluation in Official Degrees of the UPV/EHU. To make the waiver of continuous evaluation effective, students must request the continuous evaluation waiver from the teaching staff, which must be filled out, signed and sent to the teaching staff within the first 9 weeks of the course.



It will consist of the delivery of a series of previously defined works and the completion of an exam. The teaching staff may require that the completion of some or all of these works be done in person. The final evaluation grade will be the weighted average of the grade for the assignments (30%) and the exam (70%). In order to pass the final evaluation, it is necessary to pass each of the two parts separately.



The tutorials will not replace the master classes taught throughout the course.



WAIVER OF THE CALL

Resignation from the call will result in the qualification as not presented or not presented. Students may withdraw from the call within a period that, at least, will be up to one month before the end date of the teaching period for the corresponding subject. To make the resignation from the call effective, students must request the resignation form from the teaching staff, which must be filled out, signed and sent to the teaching staff within a period that, at least, will be up to one month before the end date of the period. teacher of the subject.



PROTOCOL ON ACADEMIC ETHICS AND PREVENTION OF DISHONEST OR FRAUDULENT PRACTICES IN EVALUATION TESTS AND ACADEMIC WORK AT THE UPV/EHU

The guidelines for action will be applied to prevent plagiarism, copying or use of fraudulent means to pass exams or evaluation tests and prepare academic works, in accordance with the protocol on academic ethics and prevention of dishonest or fraudulent practices in evaluation tests and academic works at the UPV/EHU.

Given the great variety of exercises to be performed, the materials necessary for each exercise or group of exercises will be indicated in advance of their proposal. However, the following can be considered basic materials:

- Mechanical pencils or lead pencils 2H, HB and 2B.
- Conté pencil or charcoal stick and blur.
- Light board DIN A2 or a little larger.
- Plumb line and needle (thin rod of approximately 30-40 cm)
- 30 cm square and bevel.
- Scalemeter.
- Compass and adapter for fountain pens or fine-tip markers.
- Styluses or fine-tip markers.
- 60 cm Paralex.
- Watercolor brush and primary pigments (magenta, cyan and yellow).
- Color pencils (magenta, cyan and yellow).
- Sheets in DIN A2, DIN A3 and DIN A5 notebook format.

To deliver to the teacher:

- Student file with their data and photograph.

Basic bibliography

La Arquitectura Histórica Acotada y Dibujada. Chitham, Robert. Editorial Gustavo Gili. México D.F. 1982.

El Dibujo, Técnica y Utilidad, Lambert, Susan. Hermann Blume. Madrid. 1985.

Modos de Ver. Cirlot, J.E. Editorial Gustavo Gili. Barcelona.

El Lenguaje de la Visión. Kepes, Gyorgy. Editorial Infinito. Buenos Aires.

El Diseño Gráfico de la Arquitectura Kinneir, Jock. Gustavo Gili. Barcelona 1982.

El sentido de orden. Gombrich, Ernst H Estudio sobre la psicología de las artes decorativas. Gustavo Gili, Barcelona, 1979. (©)

In-depth bibliography

El sentido del orden. Gombrich, Ernst H Estudio sobre la psicología de las artes decorativas. Gustavo Gili, Barcelona, 1979.
Modos de ver. Cirlot, J.E. Editorial Gustavo Gili. Barcelona.
Saber ver la Arquitectura. Bruno Zevi. Poseidón. Madrid.
Punto y línea sobre el plano. Vasili Kandinsky. Paidós.
De lo Espiritual en el Arte. Vasily Kandinsky. Paidós.
Dibujo y educación visual. Puente R. Editorial G.G.

Journals

EGA Expresión Gráfica Arquitectónica is a quarterly journal edited by the Departments of Graphic Expression of the Spanish universities, whose scope focuses on the graphic expression in the architecture: from teaching experiences of the area to investigations on graphics, sketches, cartography, Rising, new technologies, color, heritage ...
Each issue contains interviews with the main figures of the architecture, as well as reviews of publications and theses related to journal topic.